SUBSCRIPTION PROGRAM 3: D'AMORE CANTATAS OF J.S.BACH

Saturday August 1, Williamstown; Sunday August 2, Carlton

MBO is joined by Timothy Reynolds tenor and Nicholas Dinopoulos bass-baritone, and showcases Shane Lestideau viola d'amore, Kailen Cresp oboe d'amore and Greg Dikmans flute in three exquisite Bach Cantatas: BWV 55, 157 and 158.

Sunday August 2, 3pm

Church of All Nations, Carlton

TICKETS

https://www.melbournebaroqueorchestra.com/event/damore-cantatas-of-j-s-bach

SUBSCRIPTION PROGRAM 3: D'AMORE CANTATAS OF J.S.BACH

Saturday August 1, Williamstown; Sunday August 2, Carlton

MBO is joined by Timothy Reynolds tenor and Nicholas Dinopoulos bass-baritone, and showcases Shane Lestideau viola d'amore, Kailen Cresp oboe d'amore and Greg Dikmans flute in three exquisite Bach Cantatas: BWV 55, 157 and 158.

Saturday August 1, 7.30pm

Holy Trinity Anglican Church, Williamstown

TICKETS

https://www.melbournebaroqueorchestra.com/event/damore-cantatas-of-j-s-bach

Coronation Choir returns in 2026 with Vivaldi's Gloria

Saturday 20 & Sunday 21 June
Walsh Bay Arts Precinct

Coronation Choir returns in 2026 with one of the most uplifting works in
the choral repertoire: Vivaldi’s Gloria.

Over two days at The Song Company’s waterfront home at Walsh Bay, singers of all backgrounds are invited to come together, rehearse, and share in the experience of making music as a choir.

Led by Roland Peelman - whose decades at the helm of The Song Company helped define choral singing in Australia - this is a rare chance to step inside the ensemble and sing alongside its artists.

You’ll rehearse and perform together, building towards a shared performance of Vivaldi’s Gloria and Lotti's Crucifixus a 8 at the end of the weekend.

Whether you’re a seasoned chorister or simply love to sing, Coronation Choir offers a welcoming and energising environment to immerse yourself in great music, meet fellow singers, and experience the thrill of choral singing at its best.

No auditions. Just bring your voice.

REGISTER HERE!

Purchase Tickets to the Performance

Sunday 21 June, 5:00pm
Pier 2/3 Event Space, Walsh Bay Arts Precinct

Join us for the culminating performance of Coronation Choir 2026.

After a weekend of rehearsals on Sydney Harbour, singers come together with Roland Peelman and members of The Song Company to share Vivaldi’s Gloria in an informal and uplifting performance. Whether you’re supporting someone involved or simply wish to experience the music, all are welcome.

https://the.song.company/2026-season/vivaldis-gloria-coronation-choir-2026/

The Art of Close Harmony

The Melbourne Octet brings together eight outstanding musicians known for their sophisticated sound. The Octet toured Japan in 2025 with a program of stunning jazz arrangements, acclaimed for precise ensemble work and a disciplined blend. The Octet is delighted to present an afternoon of close-harmony jazz of the highest calibre, presenting finely crafted arrangements to create a refined and exciting sound world. Enter the era of the Jazz Band for an hour of pure delight!

It don’t Mean a Thing if it ain’t got that Swing — Duke Ellington, arr. Ben Parry
Let’s Misbehave — Cole Porter, arr. Alexander L’Estrange
Begin the Beguine — Cole Porter, arr. Alexander L’Estrange
Le Baylere — traditional folksong, arr. Goff Richards
Night and Day — Cole Porter, arr. Alexander L’Estrange
Machi no Dorufin — Kingo Hamada (1982), arr. Alexander L’Estrange
It’s De-Lovely — Cole Porter, arr. Alexander L’Estrange
O My Love is like a Red, Red Rose — traditional folksong, arr. Simon Carrington
Blue Moon — Richard Rogers, arr. David Blackwell
Dream a little Dream of Me — Wilbur Schwandt and Fabian Andree, arr. Julie Gaulke
The Best is Yet to Come — Cy Coleman, arr. Alexander L’Estrange
The Way you Look Tonight — Jerome Kern, arr. John Rutter
Tea for Two — Vincent Youmans, arr. Peter Gritton
Beyond the Sea — Charles Trenet & Jack Lawrence, arr. Alexander L’Estrange

https://woodendwinterartsfestival.org.au/the-art-of-close-harmony/

Roland Peelman Returns: Schütz’s Der Schwanengesang

20–24 May
Newcastle | Sydney | Canberra | Wollongong

After 25 years shaping The Song Company into one of Australia’s most admired ensembles, Roland Peelman returns to direct a landmark project.

At its centre is Heinrich Schütz’s Der Schwanengesang – a monumental setting of Psalm 119, completed in 1671 as a lasting statement of moral and musical values. Written for two antiphonal quartets, this performance features sixteen voices, revealing a depth of colour, resonance and scale.

Eight core singers from The Song Company are joined by eight artists from the Emerging Artist Program, supported by the Ian Potter Foundation – bringing together unrivalled experience and fresh voices in a powerful act of artistic continuity.

Wed 20 May, 7pmNewcastle | Christ Church Cathedral Book Tickets

Thu 21 May, 7pmSydney | St James King Street Book Tickets

Sat 23 May, 7pmCanberra | St Paul’s Church, Manuka Book Tickets

Sun 24 May, 3pmWollongong | Wollongong Art Gallery Book Tickets

https://the.song.company/2026-season/schuetzs-der-schwanengesang/

Roland Peelman Returns: Schütz’s Der Schwanengesang

20–24 May
Newcastle | Sydney | Canberra | Wollongong

After 25 years shaping The Song Company into one of Australia’s most admired ensembles, Roland Peelman returns to direct a landmark project.

At its centre is Heinrich Schütz’s Der Schwanengesang – a monumental setting of Psalm 119, completed in 1671 as a lasting statement of moral and musical values. Written for two antiphonal quartets, this performance features sixteen voices, revealing a depth of colour, resonance and scale.

Eight core singers from The Song Company are joined by eight artists from the Emerging Artist Program, supported by the Ian Potter Foundation – bringing together unrivalled experience and fresh voices in a powerful act of artistic continuity.

Wed 20 May, 7pmNewcastle | Christ Church Cathedral Book Tickets

Thu 21 May, 7pmSydney | St James King Street Book Tickets

Sat 23 May, 7pmCanberra | St Paul’s Church, Manuka Book Tickets

Sun 24 May, 3pmWollongong | Wollongong Art Gallery Book Tickets

https://the.song.company/2026-season/schuetzs-der-schwanengesang/

Roland Peelman Returns: Schütz’s Der Schwanengesang

20–24 May
Newcastle | Sydney | Canberra | Wollongong

After 25 years shaping The Song Company into one of Australia’s most admired ensembles, Roland Peelman returns to direct a landmark project.

At its centre is Heinrich Schütz’s Der Schwanengesang – a monumental setting of Psalm 119, completed in 1671 as a lasting statement of moral and musical values. Written for two antiphonal quartets, this performance features sixteen voices, revealing a depth of colour, resonance and scale.

Eight core singers from The Song Company are joined by eight artists from the Emerging Artist Program, supported by the Ian Potter Foundation – bringing together unrivalled experience and fresh voices in a powerful act of artistic continuity.

Wed 20 May, 7pmNewcastle | Christ Church Cathedral Book Tickets

Thu 21 May, 7pmSydney | St James King Street Book Tickets

Sat 23 May, 7pmCanberra | St Paul’s Church, Manuka Book Tickets

Sun 24 May, 3pmWollongong | Wollongong Art Gallery Book Tickets

https://the.song.company/2026-season/schuetzs-der-schwanengesang/

Roland Peelman Returns: Schütz’s Der Schwanengesang

20–24 May
Newcastle | Sydney | Canberra | Wollongong

After 25 years shaping The Song Company into one of Australia’s most admired ensembles, Roland Peelman returns to direct a landmark project.

At its centre is Heinrich Schütz’s Der Schwanengesang – a monumental setting of Psalm 119, completed in 1671 as a lasting statement of moral and musical values. Written for two antiphonal quartets, this performance features sixteen voices, revealing a depth of colour, resonance and scale.

Eight core singers from The Song Company are joined by eight artists from the Emerging Artist Program, supported by the Ian Potter Foundation – bringing together unrivalled experience and fresh voices in a powerful act of artistic continuity.

Wed 20 May, 7pmNewcastle | Christ Church Cathedral Book Tickets

Thu 21 May, 7pmSydney | St James King Street Book Tickets

Sat 23 May, 7pmCanberra | St Paul’s Church, Manuka Book Tickets

Sun 24 May, 3pmWollongong | Wollongong Art Gallery Book Tickets

https://the.song.company/2026-season/schuetzs-der-schwanengesang/

Handel’s “Acis & Galatea”

Assembly Hall, Melbourne /
Ballarat Central Uniting Church

Featuring an English text by John Gay, George Frideric Handel’s “Acis & Galatea” has been variously described as a serenata, a masque, a pastoral, pastoral opera or even an oratorio. It was by far Handel’s most popular dramatic work during his lifetime, and is his only stage work never to have left the opera repertory, enjoying frequent performances throughout the 18th, 19th, 20th, and 21st centuries. The opera is based on the characters Acis and Galatea from Greek mythology, later associated together in Ovid’s Metamorphoses. The story tells of the love between the mortal Acis and the sea-nymph Galatea; when the jealous cyclops Polyphemus kills Acis, the sea-nymph Galatea transforms her lover into an immortal river spirit.

Handel’s “Acis & Galatea” was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. Originally written as a courtly entertainment about the simplicity of rural life, the music contains significant quantities of wit and self-parody. The secondary characters, Polyphemus and Damon, provide humour without diminishing the pathos of the tragedy of the primary characters, Acis and Galatea. The music of the first act is both elegant and sensual, while the final act takes on a more melancholy and plaintive tone, and provides the listener with some of Handel’s most beautiful music.

Conductor Andrew Wailes directs an exciting cast of outstanding soloists in these three performances, with the RMP Choir and Orchestra in the intimate venues of the Assembly Hall in Melbourne and the  Ballarat Central Uniting Church.

Andrew Wailes (Conductor)

Lily Flynn (Galatea) soprano
Timothy Reynolds (Acis) tenor
Alastair Cooper-Golec (Damon) tenor
Nicholas Dinopoulos (Polyphemus) bass-baritone

Royal Melbourne Philharmonic Choir
Royal Melbourne Philharmonic Orchestra
Stefan Cassomenos (Harpsichord)

Tickets and further information:

https://rmp.org.au/concert/2026/handels-acis-and-galatea-rmp-royal-melbourne-philharmonic-andrew-wailes-melbourne-ballarat-2/

Handel’s “Acis & Galatea”

Assembly Hall, Melbourne /
Ballarat Central Uniting Church

Featuring an English text by John Gay, George Frideric Handel’s “Acis & Galatea” has been variously described as a serenata, a masque, a pastoral, pastoral opera or even an oratorio. It was by far Handel’s most popular dramatic work during his lifetime, and is his only stage work never to have left the opera repertory, enjoying frequent performances throughout the 18th, 19th, 20th, and 21st centuries. The opera is based on the characters Acis and Galatea from Greek mythology, later associated together in Ovid’s Metamorphoses. The story tells of the love between the mortal Acis and the sea-nymph Galatea; when the jealous cyclops Polyphemus kills Acis, the sea-nymph Galatea transforms her lover into an immortal river spirit.

Handel’s “Acis & Galatea” was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. Originally written as a courtly entertainment about the simplicity of rural life, the music contains significant quantities of wit and self-parody. The secondary characters, Polyphemus and Damon, provide humour without diminishing the pathos of the tragedy of the primary characters, Acis and Galatea. The music of the first act is both elegant and sensual, while the final act takes on a more melancholy and plaintive tone, and provides the listener with some of Handel’s most beautiful music.

Conductor Andrew Wailes directs an exciting cast of outstanding soloists in these three performances, with the RMP Choir and Orchestra in the intimate venues of the Assembly Hall in Melbourne and the  Ballarat Central Uniting Church.

Andrew Wailes (Conductor)

Lily Flynn (Galatea) soprano
Timothy Reynolds (Acis) tenor
Alastair Cooper-Golec (Damon) tenor
Nicholas Dinopoulos (Polyphemus) bass-baritone

Royal Melbourne Philharmonic Choir
Royal Melbourne Philharmonic Orchestra
Stefan Cassomenos (Harpsichord)

Tickets and further information:

https://rmp.org.au/concert/2026/handels-acis-and-galatea-rmp-royal-melbourne-philharmonic-andrew-wailes-melbourne-ballarat-2/

Handel’s “Acis & Galatea”

Assembly Hall, Melbourne /
Ballarat Central Uniting Church

Featuring an English text by John Gay, George Frideric Handel’s “Acis & Galatea” has been variously described as a serenata, a masque, a pastoral, pastoral opera or even an oratorio. It was by far Handel’s most popular dramatic work during his lifetime, and is his only stage work never to have left the opera repertory, enjoying frequent performances throughout the 18th, 19th, 20th, and 21st centuries. The opera is based on the characters Acis and Galatea from Greek mythology, later associated together in Ovid’s Metamorphoses. The story tells of the love between the mortal Acis and the sea-nymph Galatea; when the jealous cyclops Polyphemus kills Acis, the sea-nymph Galatea transforms her lover into an immortal river spirit.

Handel’s “Acis & Galatea” was the pinnacle of pastoral opera in England. Indeed, several writers, such as musicologist Stanley Sadie, consider it the greatest pastoral opera ever composed. Originally written as a courtly entertainment about the simplicity of rural life, the music contains significant quantities of wit and self-parody. The secondary characters, Polyphemus and Damon, provide humour without diminishing the pathos of the tragedy of the primary characters, Acis and Galatea. The music of the first act is both elegant and sensual, while the final act takes on a more melancholy and plaintive tone, and provides the listener with some of Handel’s most beautiful music.

Conductor Andrew Wailes directs an exciting cast of outstanding soloists in these three performances, with the RMP Choir and Orchestra in the intimate venues of the Assembly Hall in Melbourne and the  Ballarat Central Uniting Church.

Andrew Wailes (Conductor)

Lily Flynn (Galatea) soprano
Timothy Reynolds (Acis) tenor
Alastair Cooper-Golec (Damon) tenor
Nicholas Dinopoulos (Polyphemus) bass-baritone

Royal Melbourne Philharmonic Choir
Royal Melbourne Philharmonic Orchestra
Stefan Cassomenos (Harpsichord)

Tickets and further information:

https://rmp.org.au/concert/2026/handels-acis-and-galatea-rmp-royal-melbourne-philharmonic-andrew-wailes-melbourne-ballarat-2/

Celebrating the wealth of Australian music commissioned and performed by The Song Company over its illustrious 40-year history.

14 June - 5 July
Newcastle, Wollongong, Canberra, Hobart, Berry

Drawing inspiration from the iconic masterpiece by Peter Sculthorpe, "The Stars Turn" captures the essence of The Song Company's vibrant history, showcasing our rich tapestry of collaborations with some of the brightest stars of Australian music. From the mesmerising Elena Kats-Chernin to the intricate textures of Nigel Butterly and Katy Abbott, this program is a snapshot of The Song Company's musical milestones.

"The Stars Turn" also casts its gaze toward the future, with the next generation of composers whose talents light up the musical sky. Experience the innovative soundscapes of Alice Chance, Sonya Holowell and Chris Williams, and the debut of a mesmerising new work by Angus Davison.

Don't miss this extraordinary celebration of Australian musical creativity, past, present and future. Secure your tickets now and be part of this luminous constellation of sound.

Berry Uniting Church Hall, Berry

Celebrating the wealth of Australian music commissioned and performed by The Song Company over its illustrious 40-year history.

14 June - 5 July
Newcastle, Wollongong, Canberra, Hobart, Berry

Drawing inspiration from the iconic masterpiece by Peter Sculthorpe, "The Stars Turn" captures the essence of The Song Company's vibrant history, showcasing our rich tapestry of collaborations with some of the brightest stars of Australian music. From the mesmerising Elena Kats-Chernin to the intricate textures of Nigel Butterly and Katy Abbott, this program is a snapshot of The Song Company's musical milestones.

"The Stars Turn" also casts its gaze toward the future, with the next generation of composers whose talents light up the musical sky. Experience the innovative soundscapes of Alice Chance, Sonya Holowell and Chris Williams, and the debut of a mesmerising new work by Angus Davison.

Don't miss this extraordinary celebration of Australian musical creativity, past, present and future. Secure your tickets now and be part of this luminous constellation of sound.

Festival of Voices, Hobart

The Song Company website

Celebrating the wealth of Australian music commissioned and performed by The Song Company over its illustrious 40-year history.

14 June - 5 July
Newcastle, Wollongong, Canberra, Hobart, Berry

Drawing inspiration from the iconic masterpiece by Peter Sculthorpe, "The Stars Turn" captures the essence of The Song Company's vibrant history, showcasing our rich tapestry of collaborations with some of the brightest stars of Australian music. From the mesmerising Elena Kats-Chernin to the intricate textures of Nigel Butterly and Katy Abbott, this program is a snapshot of The Song Company's musical milestones.

"The Stars Turn" also casts its gaze toward the future, with the next generation of composers whose talents light up the musical sky. Experience the innovative soundscapes of Alice Chance, Sonya Holowell and Chris Williams, and the debut of a mesmerising new work by Angus Davison.

Don't miss this extraordinary celebration of Australian musical creativity, past, present and future. Secure your tickets now and be part of this luminous constellation of sound.

Wesley Music Centre, Canberra

The world premiere of a major new work by Australia's most beloved composer performed by the country's finest singers and instrumentalists

Sunday 23 June, 3pm
40th Anniversary Gala Concert
Sydney – City Recital Hall

Join us in celebrating The Song Company's 40th Anniversary with a musical event like no other—the world premiere of Vespers for Mother Earth, an astonishing composition by beloved composer Ross Edwards. Joining them on stage in this historic performance at the prestigious City Recital Hall is an eclectic array of instrumental forces, including the groundbreaking Ensemble Offspring, Genevieve Lang (harp), Julian Smiles (cello), Lu Liu (pipa) and Lindsay Dugan (shakuhachi).

Inspired by Monteverdi's masterpiece Vespero della Beata Vergine, Edwards ingeniously weaves symbols of day and night into a profound contemplation on the pressing ecological crisis of our time. It symbolises both a farewell to humanity's destructive dominance and the dawn of a new era — a rekindling of the sacred feminine principle, embodied by the night. 

In an eagerly anticipated moment, long-term Artistic Director of The Song Company Roland Peelman returns to direct after a nine-year absence. His masterful guidance ensures this performance will be a true testament to our 40-year journey of excellence.

The program's first half is a celebration of our rich history of collaborations with luminaries of Australian music, including Peter Sculthorpe, Elena Kats-Chernin, Nigel Butterly and Katy Abbott. We also look to the future, showcasing the next generation of composers, including Alice Chance and Sonya Hollowell, and a captivating new work by Angus Davison.

Discount for group bookings now available.

City Recital Hall, Sydney

Celebrating the wealth of Australian music commissioned and performed by The Song Company over its illustrious 40-year history.

14 June - 5 July
Newcastle, Wollongong, Canberra, Hobart, Berry

Drawing inspiration from the iconic masterpiece by Peter Sculthorpe, "The Stars Turn" captures the essence of The Song Company's vibrant history, showcasing our rich tapestry of collaborations with some of the brightest stars of Australian music. From the mesmerising Elena Kats-Chernin to the intricate textures of Nigel Butterly and Katy Abbott, this program is a snapshot of The Song Company's musical milestones.

"The Stars Turn" also casts its gaze toward the future, with the next generation of composers whose talents light up the musical sky. Experience the innovative soundscapes of Alice Chance, Sonya Holowell and Chris Williams, and the debut of a mesmerising new work by Angus Davison.

Don't miss this extraordinary celebration of Australian musical creativity, past, present and future. Secure your tickets now and be part of this luminous constellation of sound.

St Francis Xavier Cathedral, Wollongong

Celebrating the wealth of Australian music commissioned and performed by The Song Company over its illustrious 40-year history.

14 June - 5 July
Newcastle, Wollongong, Canberra, Hobart, Berry

Drawing inspiration from the iconic masterpiece by Peter Sculthorpe, "The Stars Turn" captures the essence of The Song Company's vibrant history, showcasing our rich tapestry of collaborations with some of the brightest stars of Australian music. From the mesmerising Elena Kats-Chernin to the intricate textures of Nigel Butterly and Katy Abbott, this program is a snapshot of The Song Company's musical milestones.

"The Stars Turn" also casts its gaze toward the future, with the next generation of composers whose talents light up the musical sky. Experience the innovative soundscapes of Alice Chance, Sonya Holowell and Chris Williams, and the debut of a mesmerising new work by Angus Davison.

Don't miss this extraordinary celebration of Australian musical creativity, past, present and future. Secure your tickets now and be part of this luminous constellation of sound.

Harold Lobb Concert Hall, Newcastle

Details tbc

Sacred Heart Cathedral, Bendigo

Ascension Day Vespers

7:30pm Thursday 9 May 2024
Lobet Gott in seinen Reichen (BWV11) the Ascension Oratorio

for 4 soloists, choir, strings, 2 oboes, 2 flutes, 3 trumpets, timpani and continuo
Judith Dodsworth (soprano)
Sally-Anne Russell (mezzosoprano)
Timothy Reynolds (tenor)
Christopher Tonkin (bass)
St Johns Bach Choir and Orchestra
director: Graham Lieschke
Preacher: James Winderlich

St John’s website

Hidden Thoughts I

Sunday 21 April 2024, 11:00am

Iwaki Auditorium, Southbank

The Consort of Melbourne are featured artists for the 2024 MSO Chamber Series.

Katy Abbott’s series of works Hidden Thoughts is presented throughout 2024. Each work includes text sourced from the public, elevating the perceived ‘ordinary and mundane’ into powerful and meaningful statements of grace and kindness. The first of the series, Do I Matter?, uses anonymous answers from a survey created by Katy Abbott and writer and cartoonist Kaz Cooke asking women for their ‘hidden thoughts’. The audience at this performance is also invited to submit their responses at the concert for incorporation into the performance that day.

The Consort of Melbourne will feature the voices of Katherine Norman, Kristy Biber, Hannah Pietsch, Timothy Reynolds, Andrew O’Connor and Steven Hodgson (Director).

MSO website

Consort of Melbourne website

BACH THE ST JOHN PASSION
GOOD FRIDAY 29 MARCH 2024 FROM 7:30PM

Choir of The Scots’ Church
The Melbourne Baroque orchestra
Leader: Timothy Willis
Evangelist and tenor solos: Timothy Reynolds
Conductor: Douglas Lawrence
Soloists: Kate McBride, Elizabeth Anderson, Thomas Drent, Kieran Macfarlane, Mitchell Relf.

Admission is free. The performance is in German, a full translation is supplied. The performance is without interval.

All Saint’s East St Kilda

Experience a musical Superbloom in a captivating journey inspired by nature's miracles

1-10 March
Newcastle, Wollongong, Canberra, Sydney, Orange

"Superbloom" is the phenomenon in which the desert landscape receives an unusual season of rain such that the next spring brings forth carpets of rare displays of flowers. Immerse yourself in this magical and musical "Superbloom" - a program of rare works for unaccompanied voices that draws parallels between the stark beauty of the arid desert and the lush abundance brought by the wet season.

Acclaimed Australian-American soprano and composer Jane Sheldon makes her Guest Directorial debut with The Song Company. Her artistry has created a musical journey that connects historical compositional giants such as Hildegard von Bingen and Carlo Gesualdo with contemporary composers Rebecca Saunders, Chaya Czernowin and James Weeks. Plus, be among the first to experience a brand-new work composed by the talented Jane Sheldon herself.

The Song Company has been captivating audiences with adventurous programming for 40 years. Join Australia's world-class vocal ensemble for this unforgettable experience that celebrates both the resilience of the desert and the creativity of the human spirit.

Our Lady of Dolours, Chatswood

Experience a musical Superbloom in a captivating journey inspired by nature's miracles

1-10 March
Newcastle, Wollongong, Canberra, Sydney, Orange

"Superbloom" is the phenomenon in which the desert landscape receives an unusual season of rain such that the next spring brings forth carpets of rare displays of flowers. Immerse yourself in this magical and musical "Superbloom" - a program of rare works for unaccompanied voices that draws parallels between the stark beauty of the arid desert and the lush abundance brought by the wet season.

Acclaimed Australian-American soprano and composer Jane Sheldon makes her Guest Directorial debut with The Song Company. Her artistry has created a musical journey that connects historical compositional giants such as Hildegard von Bingen and Carlo Gesualdo with contemporary composers Rebecca Saunders, Chaya Czernowin and James Weeks. Plus, be among the first to experience a brand-new work composed by the talented Jane Sheldon herself.

The Song Company has been captivating audiences with adventurous programming for 40 years. Join Australia's world-class vocal ensemble for this unforgettable experience that celebrates both the resilience of the desert and the creativity of the human spirit.

Orange Chamber Music Festival, Orange

Experience a musical Superbloom in a captivating journey inspired by nature's miracles

1-10 March
Newcastle, Wollongong, Canberra, Sydney, Orange

"Superbloom" is the phenomenon in which the desert landscape receives an unusual season of rain such that the next spring brings forth carpets of rare displays of flowers. Immerse yourself in this magical and musical "Superbloom" - a program of rare works for unaccompanied voices that draws parallels between the stark beauty of the arid desert and the lush abundance brought by the wet season.

Acclaimed Australian-American soprano and composer Jane Sheldon makes her Guest Directorial debut with The Song Company. Her artistry has created a musical journey that connects historical compositional giants such as Hildegard von Bingen and Carlo Gesualdo with contemporary composers Rebecca Saunders, Chaya Czernowin and James Weeks. Plus, be among the first to experience a brand-new work composed by the talented Jane Sheldon herself.

The Song Company has been captivating audiences with adventurous programming for 40 years. Join Australia's world-class vocal ensemble for this unforgettable experience that celebrates both the resilience of the desert and the creativity of the human spirit.

The Utzon Room, Sydney Opera House, Sydney

Experience a musical Superbloom in a captivating journey inspired by nature's miracles

1-10 March
Newcastle, Wollongong, Canberra, Sydney, Orange

"Superbloom" is the phenomenon in which the desert landscape receives an unusual season of rain such that the next spring brings forth carpets of rare displays of flowers. Immerse yourself in this magical and musical "Superbloom" - a program of rare works for unaccompanied voices that draws parallels between the stark beauty of the arid desert and the lush abundance brought by the wet season.

Acclaimed Australian-American soprano and composer Jane Sheldon makes her Guest Directorial debut with The Song Company. Her artistry has created a musical journey that connects historical compositional giants such as Hildegard von Bingen and Carlo Gesualdo with contemporary composers Rebecca Saunders, Chaya Czernowin and James Weeks. Plus, be among the first to experience a brand-new work composed by the talented Jane Sheldon herself.

The Song Company has been captivating audiences with adventurous programming for 40 years. Join Australia's world-class vocal ensemble for this unforgettable experience that celebrates both the resilience of the desert and the creativity of the human spirit.

Wesley Music Centre, Canberra

Experience a musical Superbloom in a captivating journey inspired by nature's miracles

1-10 March
Newcastle, Wollongong, Canberra, Sydney, Orange

"Superbloom" is the phenomenon in which the desert landscape receives an unusual season of rain such that the next spring brings forth carpets of rare displays of flowers. Immerse yourself in this magical and musical "Superbloom" - a program of rare works for unaccompanied voices that draws parallels between the stark beauty of the arid desert and the lush abundance brought by the wet season.

Acclaimed Australian-American soprano and composer Jane Sheldon makes her Guest Directorial debut with The Song Company. Her artistry has created a musical journey that connects historical compositional giants such as Hildegard von Bingen and Carlo Gesualdo with contemporary composers Rebecca Saunders, Chaya Czernowin and James Weeks. Plus, be among the first to experience a brand-new work composed by the talented Jane Sheldon herself.

The Song Company has been captivating audiences with adventurous programming for 40 years. Join Australia's world-class vocal ensemble for this unforgettable experience that celebrates both the resilience of the desert and the creativity of the human spirit.

St Francis Xavier Cathedral, Wollongong

Experience a musical Superbloom in a captivating journey inspired by nature's miracles

1-10 March
Newcastle, Wollongong, Canberra, Sydney, Orange

"Superbloom" is the phenomenon in which the desert landscape receives an unusual season of rain such that the next spring brings forth carpets of rare displays of flowers. Immerse yourself in this magical and musical "Superbloom" - a program of rare works for unaccompanied voices that draws parallels between the stark beauty of the arid desert and the lush abundance brought by the wet season.

Acclaimed Australian-American soprano and composer Jane Sheldon makes her Guest Directorial debut with The Song Company. Her artistry has created a musical journey that connects historical compositional giants such as Hildegard von Bingen and Carlo Gesualdo with contemporary composers Rebecca Saunders, Chaya Czernowin and James Weeks. Plus, be among the first to experience a brand-new work composed by the talented Jane Sheldon herself.

The Song Company has been captivating audiences with adventurous programming for 40 years. Join Australia's world-class vocal ensemble for this unforgettable experience that celebrates both the resilience of the desert and the creativity of the human spirit.

Harold Lobb Concert Hall, Newcastle

Chorus member for this fabulous show

Show details

Chorus member for this fabulous show

Show details